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'Tipsy' Moss Caught on Camera for Commissioned Portrait
Press Association Newsfile



Supermodel Kate Moss looks a little tipsy in a new official portrait commissioned for the National Portrait Gallery.

Moss has reunited with Corinne Day, whose ``heroin chic'' images in the Nineties famously helped propel the Croydon model into stardom.

The 33-year-old was immersed in a serious discussion in the nine black-and-white frames, assembled together as one portrait.

Day will not go into detail about the afternoon or reveal what got the supermodel so animated at the three-hour photo-shoot at the model's north London home two months ago.

But some would be forgiven for thinking that in a couple of the snapshots, her subject looks a little worse for wear.

Moss, one of the most photographed women in the world, is wearing no make-up, although her eyelashes were curled for the commission.

A spokesman for the National Portrait Gallery in London, which is displaying the image in its permanent collection, said: ``Forming one large work, each element of the portrait reveals a different expression, at times facing the camera head-on, at others in conversation or in quiet contemplation.

``Taken by Corinne Day in December 2006, the portrait brings something new to our perception of the enigma that is Kate Moss, among the most photographed women in the world today.''

The model, in an on-off relationship with singer and drug addict Pete Doherty, looks alternatively angry, melancholic and pulls a face in the pictures.

British photographer Day was one of the first to work with Moss after she was discovered by Sarah Doukas at Storm at the age of 14.

Their infamous first collaboration in Vogue magazine in 1993 featured the waif-like model in what appeared to be a council flat in dreary underwear.

Day says of the new commission: ``I suggested to Kate that we have a conversation about a serious subject. The subject she chose to talk about revealed her true feelings and in turn defined her character.''

In a separate interview for the March issue of Vogue magazine, she adds: ``I wanted the shots to be genuine, so that when people look at them, each picture will say something different.

``I try to capture something from my subjects that's real. It's the eyes that tell that.

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