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Nikon Launches New D3X with 24.5 MP Resolution
New camera tops off FX-format flagship level lineup.


imaginginfo nikon d3x dslr
Nikon's new D3x digital SLR
imaginginfo nikon d3x rear body
The rear of the new Nikon D3x
imaginginfo nikon d3x top view
The top view of the new Nikon D3x DSLR
imaginginfo nikon d3x dual cf slots
One of the great features for the pro photographer shooting on the job, the Nikon D3x features dual CompactFlash card slots.

MELVILLE, N.Y. (Nov. 30, 2008) -- Nikon Inc. today announced the D3X, an FX-format digital SLR featuring extreme 24.5-megapixel resolution and low-noise capabilities, which provides professional photographers with commercial-quality image performance in a familiar and extraordinarily versatile D-SLR form factor. In conjunction with the groundbreaking Nikon FX-format D3, the D3X tops off a collection of flagship level, rugged, professional caliber digital single lens reflex cameras engineered to excel in all types of professional photographic disciplines from photojournalism and sideline sports, to commercial in-studio applications.

The foundation of the enhanced performance of the D3X is its FX-format, 24.5-megapixel (6048 x 4032) CMOS sensor providing commercial, high fashion, fine art and landscape photographers with the extreme resolution, dynamic range, color depth, detail and sharpness that clients demand. Whether creating catalogs, magazine covers, billboards or gallery prints, the large 5.94-micron pixel size and high signal to noise ratio produces vibrant images with breathtaking image fidelity while reducing lost highlights and shadows, and ensuring smoother tone reproduction with minimized noise. With full resolution shooting speeds of up to five frames-per-second (fps), and 14-bit files, that when processed are approximately 138 MB, the D3X offers today's photographic artists an extreme level of performance and versatility ready for demanding assignments in the studio or on location.

"In 2007, the 12.1-megapixel FX-format D3 delivered groundbreaking digital SLR image quality, coupled with incomparable high ISO, low noise performance and high-speed handling. In doing so, the D3 broke photographic barriers, enabling photographers to work in ways never before possible," said Edward Fasano, general manager for Marketing, SLR Systems Products at Nikon Inc.

"Now, the new 24.5-megapixel FX-format D3X D-SLR provides the extreme resolution and high dynamic range capabilities needed to meet the extraordinary needs of photographic disciplines such as high fashion, commercial advertising and fine art. The D3X delivers this remarkable capability while fitting seamlessly within the Nikon system, taking full advantage of Nikon's world-renowned collection of NIKKOR lenses and Speedlights."

Image Quality Takes Center Stage

To re-emphasize the importance of image quality above all else, the D3X delivers an incredible level of digital SLR performance to provide photographers with extremely high resolution, exceptional dynamic range, phenomenal total gradation and outstanding color reproduction. Image files can be recorded as TIFF, JPEG or NEF (RAW) formats in either 12- or 14-bit compressed or uncompressed formats, and recorded to UDMA compatible CompactFlash cards for optimum speed.

Photographers can save image files directly to the dual card slots as overflow, backup, or as separate file formats to different cards. Building on the D3X's flexibility, users have the creative option to shoot in the 5:4 crop mode with 20.4-megapixel resolution, the ideal format for creating 8 x 10-inch portraits. While using DX-format lenses, faster continuous shooting of up to seven frames per second can be achieved at a resolution of 10.5 megapixels.

The exceptionally low noise of the D3X is essential to any professional commercial application, and it provides photographers with an ISO range of 100 to 1600, expandable to 50 (Lo-1) and 6400 (Hi-2). The ultra smooth tones and lack of grain at ISO 1600 as well as at low sensitivity settings result in smooth, natural skin tones and exacting detail that, before the D3X, required larger and far costlier studio-bound camera systems.

Advanced Technologies, Meticulously Executed

In a commercial setting or on location, imaging professionals need high performance in both speed and processing. The Nikon D3X can shoot at up to five fps at full resolution or up to seven fps in DX crop mode, allowing photographers to catch the split-second difference in a model's expression or capture all of the action in a sequence. Just like the D3, the D3X achieves a start-up time of a mere 0.12 seconds and a shutter release time lag of 0.04 seconds.

The D3X's speed, as well as high levels of performance, leverages Nikon core technologies including a newly enhanced EXPEED Image Processing System, specially designed for the D3X to provide superior image quality, faster processing speeds and lower power consumption. This advanced system is able to achieve precise color reproduction for a broad spectrum of hues, in addition to vivid saturation and smooth gradation. What's more, Nikon's advanced noise processing function is engineered to minimize noise at all sensitivities and operate seamlessly without interfering with other image color parameters.

The D3X also features Nikon's exclusive Scene Recognition System, which continuously analyzes information from the 1,005-pixel RGB light sensor, to further refine auto exposure, auto white balance and autofocus calculations. This results in flattering portraits and awe-inspiring landscapes that portray accurate color and fine details. Nikon's exclusive 3D Color Matrix Metering II helps ensure accurate exposures, even in the most challenging lighting conditions.

Instantly evaluating each scene before capture, input data from the system's sensor is automatically referenced against an internal database of more than 30,000 images derived from actual photographs to calculate correct exposure values. Active D-Lighting, used in combination with 3D Matrix Metering II, helps to determines proper exposure, and creates realistic contrast while compensating for lost shadows and highlights. Prior to shooting, users can choose from Extra High, High, Normal, Low or Off settings, as well as an Auto mode.

Additionally, the D3X features Nikon's exclusive Multi-CAM 3500FX focus module, with 51 AF points, 15 cross type sensors and 36 horizontal sensors that easily track and lock onto moving subjects, delivering the same fast and accurate AF performance that helped make the D3 immediately successful. Users can select any of the AF points, making it easy to consistently attain accurate focus right on a subject's eyes, frame after frame. Additionally, three AF-area modes - Single point, Dynamic-area AF and Auto-area AF - are available to maximize the use of the 51 focus points by selecting the most suitable one to match subject conditions.

AF is also available in one of two Live View modes optimized for the studio, including a phase detection handheld mode and a tripod mode. This feature allows the user to zoom in up to 27x on the LCD screen to ensure critical focus. While in Live View, the graphic indication of a virtual horizon is also available, making it easier than ever to confirm camera orientation.

To further ensure each photographer's ability to balance their personal style, Nikon's Picture Control System enables users to adjust their images to pre-set parameters such as Standard, Neutral, Vivid and Monochrome that apply tweaks to image sharpening, tone compensation, brightness, overall tone and saturation. Photographers have creative control over these image parameters with the use of up to nine available customizable presets.

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Visitor Comments
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Posted by Dave in Orlando Fl
Yes but if you see some one with a big black lens hanging off one shoulder and a big white one off the other, sorry to tell you but the black one is probably Canon too.
I dont know a lot of pros who use both.
Im sorry if it upsets you but i just call em like I see em, and in my line of work what I see is students and parents with the, usually cheaper more simplistic Nikon, and the pros with the Canons.

(12/16/08 - 09:15 AM)


Posted by Diane Berkenfeld in Melville, NY
Nikon D3x
Last time I watched a pro tennis match, the ratio of black lenses to white was about even!
(12/15/08 - 09:21 AM)


Posted by Dave in Orlando Fl
Lets get real. Nikon Makes some good glass but as far as the cameras go they are always behind. Sure they make the quick leap forward every now and then but we have already been shooting over 20 m.p.s for a while now with CANON. If nikon has finally entered that game its only a (short) matter of time before Canon easily slides into the lead again. And like brent in tampa says... 2 5Ds and glass for the price of 1 D3x... well you do the math. Remember people, there is a reason that when you look at the sidelines of every major sporting event you see nothing but big white lenses. I shoot tons of convention work and celebrity events and I really only see 1 nikon shooter to every 8 Canon shooters and these are all pros Im talking about. Nikon is great... for college students and soccer moms but if you want to shoot the big guns you might as well shoot a CANON.
(12/15/08 - 08:30 AM)


Posted by Jeff Franks in Dahlonega, GA
Cant Wait for the Reviews and Files
Good comments above. I wont parrot them. Waiting for a review or five and some actual production camera files. I shoot a couple of D3 bodies and love that camera, if the D3x is all that and a bag of chips I will buy once the price drops on the street.

To Walt G., great comments, I am so with you on the divorce analogy; couple of times I was thinking hard on stepping out myself.
(12/10/08 - 06:03 PM)


Posted by Steve Gladfelter in Stanford, CA
Nikon D3X
Agree completely with Alan from Salt Lake City. Show me the files!! Its just like buying a pair of speakers, you can read all of the stats, all of the accolades, but if it doesnt sound better with the type of music you listen too, then why arent you picking something that does?
(12/10/08 - 05:19 PM)


Posted by Bill Burkholder in Charlotte, NC
Ford vs Chevy...
Ford or Chevy? Honda or Toyota? Mac or PC? Canon or Nikon?

Within reason, it just doesnt matter very much what tool you use. Your eyes, skills, traits, and experience matter much more than whether youre using a D3x or an EOS 1DS Mark III.

There is always personal preference for ergonomics, and always a blend of features that meets your specific needs, subject matter, and habits best. For some shoots, you may want to rent the other brand or model, and use it for a specific feature it offers.

I ditched Nikon for Canon when Canon had the most obvious edge, but I shot with Nikons from 1968 to 2004. It would take a LOT to get me back. It would take a mid-range camera at a lower price point. It would take software that tethers the camera to a PC to be bundled with the body. It would take the ability to save to the CF card and the PC at the same time... It would take price points and feature sets more closely competitive with Canon at every level.

The Canon EOS 5D Mark II is very attractive. In the current economy, I think Nikon needs a better match for it than the D700. (Is there a D700x in the works?)
(12/10/08 - 05:11 PM)


Posted by Brent in Tampa, FL
For us in the real world...
Okay, sure, its a nice camera, probably even better than the Canon 1Ds MKIII in that price range. However, for wedding shooters, Nikon still has nothing equivalent to the 5D MKII, which I could buy two of plus some very nice glass for the price of one D3X body. So I wont be jumping off the Canon ship anytime in the foreseeable future, like I jumped from Nikon to Canon a few years ago. My next upgrade will be a pair of 5D MKIIs, at 21.1 MP almost the same resolution, they will work nicely with the three "L" lenses I already have, and maybe with the $11K I save Ill add a few more "L" lenses to stretch my boundaries a bit.
(12/10/08 - 04:08 PM)


Posted by Alan in Salt Lake City
Okay, but lets see the files...
Specs, specs, specs. Just show me the files. The reason I jumped from Nikon to Canon has always been about the finished product. This isnt a competition between Nikon and Canon--although the non-pro posts might lead you to believe that. For those of us who make a living at this every day, just let us SEE what all the fuss is about. If it indeed produces a superior result, then Im all for it--if not, its just tired ad copy.
(12/10/08 - 04:05 PM)


Posted by larry in OH
Wow, looks like nikon is back in the game. But to be honest Im getting worn out from buying digital equipment. As a pro its just too much anymore. Between the slrs, computers, software, and for me, 2 sinar studio backs; Im tired of spending my hard earned $$ on equipment, it
used to be fun learning a new camera, now its getting old. Did you hear
about the D4X coming out in the summer of 09?

larry
(12/05/08 - 11:33 AM)


Posted by Paul Rentz in Corvallis, OR
Would Someone Wake Up Canon?!?
Canon needs to stop hitting the snooze alarm! I cant afford to jump ship now.
(12/03/08 - 06:56 PM)


Posted by Stephen Walker in CERRO, N.M.
New High Res. Nikon D3X
Finally,

NIKON is back in business! Now many of us that have our money ivested in Nikon optics, will be back up to be #1 with their top Nikor Lens. 24.5 megs, will start them back up real fast. If they beep the price down, it will pay off. The new market they have created, with these lower priced DSLRs, will up grade fast! If the price is right?

Best Regards,

Stephen Walker

www.StephenWalkerPhotography.com
(12/03/08 - 09:51 AM)


Posted by Walt Grondona in Eugene,Oregon
new nikon D3X
I am so prude, and excited for all of us that have stayed married to nikon over the years. I almost changed wives when nikon fell behind the C word , however I just love the nikon glass. So to avoid a divorce, I stayed in for better things to come. The bet has paid off. I know the old gal would come through. Thank you Mrs Nikon for a great marriage . I am looking forward to my 45th anniversary being married to you!!.
(12/03/08 - 12:03 AM)



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