PRODUCT SPOTLIGHT
Fujifilm FineScan 5000
Flatbed Ease with Drum Scanner Quality
TEXT AND IMAGES BY MARKUS KLINKO & INDRANI
Faster and easier to use than a drum scanner and capable of
producing even higher quality scans, the FineScan 5000, with
flatbed CCD and X-Y technology, gives us total creative control and
flexibility.
© MARKUS KLINKO & INDRANI Socialite/starlet
Paris Hilton,
British GQ
© MARKUS KLINKO & INDRANI Zac Posen fashion
story, fall/winter
2002
© MARKUS KLINKO & INDRANI Zac Posen fashion
story, fall/winter
2002
© MARKUS KLINKO & INDRANI Paris Hilton,
British GQ
FAST, FREEING, FLEXIBLE
We had always stayed away from flatbed scanners because of the
noticeable loss of quality. But with the latest technology in
hardware and seriously intuitive, easy-to-use software, the
FineScan 5000 is the ultimate scanner for high-end scans of color
and B&W transparencies and negatives, reflective copy, line
art, and film separations.
And it's fast—40 scans per hour (based on the Seybold
standard) at optical resolutions of up to 5000 dpi with a maximum
magnification of 4000 percent—so transparencies can be
enlarged to a 46.7x33-inch poster size.
Before we had the 5000, we outsourced the images we shot on our
Fujifilm GX680-we're Fujichrome Velvia and Provia
devotees!—to a vendor with an Isomet scanner. At the time, it
was the highest quality scanner we had found that was so well
suited to our work. And although we had an amazing scanner
operator, it meant having to work according to someone else's
schedule. We much prefer making the creative decisions
ourselves.
With the 5000, we're able to play with our images, enhance their
quality, and make creative decisions much easier than before
because we're doing the scans ourselves. In addition to simplifying
the selection process, the 5000 allows us to scan and output as
much as we need without incurring any additional costs.
Another advantage is the quality you get when you scan
Polaroids—much higher than with high-end drum scanners. Drum
scanners have a hard time eliminating a Polaroid's soft or unclear
look, whereas the 5000's autofocus lens delivers a smooth, quality
image. And since it's a flatbed scanner, you don't have to tape the
picture to a large drum. It also eliminates the need for oil
mounting, another factor that affects the image.
END-TO-END COLOR MANAGEMENT
Because everyone sees colors differently, the ColourKit lets you
optimize the color quality of your images by creating and editing
individual ICC color profiles for your scanner, monitor, and
printer, instead of using generic profiles.
The ColourKit provides a full range of editing and color management
tools as well as an auto-selection process that's really advanced.
It gives you the option to scan once and output many—an
invaluable tool. Having the ability to repurpose our images without
compromising the originals' integrity frees us to be even more
creative. Traditional scanning software just doesn't let you do
this.
The overwhelming advantage of ColourKit is batch scanning with the
Queue management feature. Basically, it means we can line up all
our scans at once without having to start over each time. This is
an enormous time saver.
For those who want to have a good starting point established for
them, the software is a terrific tool. It does the work that a
scanner operator would otherwise do. What's great is that you're
given the flexibility to override that part of the operation if you
prefer. Personally, we like to make our own color curves.
We absolutely love the FineScan 5000. We never imagined there could
be a flatbed scanner of this quality.
For more Markus Klinko & Indrani images,
visit www.markusklinko-indrani.com
For more information on the Fujifilm FineScan 5000,
visit www.fujifilm.com
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