DIGITAL FOCUS
Black & White and
Photoshopped All Over
How to Produce Colorful Black & White Special
Effects
TEXT AND IMAGES © HELENEDELILLO.COM
Grayscale Minus SaturationChannel
Mixer
Creating black & white images with great tones can be
challenging using Photoshop. Many of you have emailed me for
suggestions on the best way to accomplish this.
It turns out there are many ways to create a b&w image using
Photoshop. Your results will vary depending on the image you are
using and the type of effect you want to achieve. So you must be
willing to experiment with these techniques.
The first technique is achieved by going to the image menu,
selecting mode, and selecting grayscale. This is a technique that
gives you no control as far as setting highlights, midtones, and
shadows. So, for most photographers this isn't the best way to
go.
Another technique, which is popular with Photoshop devotees, is
achieved by going to the layer menu, selecting hue and saturation
and typing in —100 in the saturation box. This takes all the
color out of the image. Sometimes we use this to keep a little
color in an image.
One of my favorite ways to create b&w images is by using the
layer called channel mixer. The channel mixer adjustment layer
enables you to control your highlights, midtones, and shadows very
precisely. Go to the layer menu, select new adjustment layer, and
then select channel mixer. Voila!
Notice that there are many options in the dialogue box. First click
in the box that says monochrome. Now your image is b&w. Then
adjust the red, green, and blue slider to add much more depth and
contrast. See how the clouds have a totally different feel?
Lastly, the image of DJ Hawthorne was shot in color and then
changed to b&w by creating a channel mixer layer. I then went
into the layer mask and erased the area of her eyes so the blue
would print and have a hand-colored effect.
Have fun with your images in Photoshop and feel free to experiment.
I find that the best techniques and effects often happen by
accident or while you're on your way to creating something else,
but hit the wrong command by mistake.
One last hint: Try the gradient map adjustment layer for some
really cool 1960s effects!
If you have any suggestions or questions, feel free to contact
me.
212/334-6705.
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